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Monochrome, Cloud Gate Metal Sculpture, Millennium Park, Chicago, Illinois, United States Of America.

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posted by DM PHOTOGRAPHY alias [email protected] on Friday 4th of December 2020 10:44:54 PM

Cloud Gate is a public sculpture by Indian-born British artist Sir Anish Kapoor, that is the centerpiece of AT&T Plaza at Millennium Park in the Loop community area of Chicago, Illinois. The sculpture and AT&T Plaza are located on top of Park Grill, between the Chase Promenade and McCormick Tribune Plaza & Ice Rink. Constructed between 2004 and 2006, the sculpture is nicknamed The Bean because of its shape, a name Kapoor initially disliked, but later grew fond of. Made up of 168 stainless steel plates welded together, its highly polished exterior has no visible seams. It measures 33 by 66 by 42 feet (10 by 20 by 13 m), and weighs 110 short tons (100 t; 98 long tons). Kapoor's design was inspired by liquid mercury and the sculpture's surface reflects and distorts the city's skyline. Visitors are able to walk around and under Cloud Gate's 12-foot (3.7 m) high arch. On the underside is the "omphalos" (Greek for "navel"), a concave chamber that warps and multiplies reflections. The sculpture builds upon many of Kapoor's artistic themes, and it is popular with tourists as a photo-taking opportunity for its unique reflective properties. The sculpture was the result of a design competition. After Kapoor's design was chosen, numerous technological concerns regarding the design's construction and assembly arose, in addition to concerns regarding the sculpture's upkeep and maintenance. Various experts were consulted, some of whom believed the design could not be implemented. Eventually, a feasible method was found, but the sculpture's construction fell behind schedule. It was unveiled in an incomplete form during the Millennium Park grand opening celebration in 2004, before being concealed again while it was completed. Cloud Gate was formally dedicated on May 15, 2006, and has since gained considerable popularity, both domestically and internationally. Lying between Lake Michigan to the east and the Loop to the west, Grant Park has been Chicago's front yard since the mid-19th century. Its northwest corner, north of Monroe Street and the Art Institute, east of Michigan Avenue, south of Randolph Street, and west of Columbus Drive, had been Illinois Central rail yards and parking lots until 1997, when it was made available for development by the city as Millennium Park.[1] For 2007, the park was Chicago's second largest tourist attraction, trailing only Navy Pier.[2] In 1999, Millennium Park officials and a group of art collectors, curators and architects reviewed the artistic works of 30 different artists and asked two for proposals. American artist Jeff Koons submitted a proposal to erect a permanent 150-foot (46 m) sculpture of a playground slide;[3][4] his glass and steel design featured an observation deck 90 feet (27 m) above the ground that was accessible via an elevator.[5] The committee chose the second design by internationally acclaimed artist Anish Kapoor. Measuring 33 by 66 by 42 feet (10 by 20 by 13 m) and weighing 110 short tons (100 t; 98 long tons), the proposal featured a seamless, stainless steel surface inspired by liquid mercury.[6] This mirror-like surface would reflect the Chicago skyline, but its elliptical shape would distort and twist the reflected image.[7] As visitors walk around the structure, its surface acts like a fun-house mirror as it distorts their reflections.[8] Headshot of an Indian man with gray hair and black shirt Anish Kapoor's design proposal was chosen over works by thirty different artists. In the underside of the sculpture is the omphalos, an indentation whose mirrored surface provides multiple reflections of any subject situated beneath it.[9] The apex of the omphalos is 27 feet (8.2 m) above the ground. The concave underside allows visitors to walk underneath to see the omphalos, and through its arch to the other side so that they view the entire structure.[10] During the grand opening week in July 2004, press reports described the omphalos as the "spoon-like underbelly".[11][12] The stainless steel sculpture was originally envisioned as the centerpiece of the Lurie Garden at the southeast corner of the park. However, Park officials believed the piece was too large for the Lurie Garden and decided to locate it at AT&T Plaza, despite Kapoor's objections.[13] Skyscrapers to the north along East Randolph Street, including The Heritage, the Smurfit-Stone Building, Two Prudential Plaza, One Prudential Plaza, and Aon Center are visible, reflected on both the east and west sides of the sculpture. Although Kapoor does not draw with computers, computer modeling was essential to the process of analyzing the complex form,[14] which created numerous issues. Since the sculpture was expected to be outdoors, concerns arose that it might retain and conduct heat in a way that would make it too hot to touch during the summer and so cold that one's tongue might stick to it during the winter. The extreme temperature variation between seasons was also feared to weaken the structure. Graffiti, bird droppings and fingerprints were also potential problems, as they would affect the aesthetics of the surface.[4][15] The most pressing issue was the need to create a single seamless exterior for the external shell, a feat architect Norman Foster once believed to be nearly impossible.[15] While the sculpture was being constructed, public and media outlets nicknamed it "The Bean" because of its shape, a name that Kapoor described as "completely stupid".[13] Months later, Kapoor officially named the piece Cloud Gate.[16] (Kapoor eventually accepted the nickname of "The Bean".[17]) Critical reviews describe the sculpture as a passage between realms.[18] Three-quarters of the sculpture's external surface reflects the sky and the name refers to it acting as a type of gate that helps bridge the space between the sky and the viewer.[19] The sculpture and plaza are sometimes referred to jointly as "Cloud Gate on the AT&T Plaza".[20] It is Kapoor's first public outdoor work in the United States,[20] and is the work by which he is best known in the country according to the Financial Times.[21] Construction and maintenance A crane lifts a large, oval-shaped ring in front of several large buildings The first of two internal support rings for the sculpture is erected in Millennium Park at AT&T Plaza. The British engineering firm Atelier One provided the sculpture's structural design,[22][23] and Performance Structures, Inc. (PSI) was chosen to fabricate it because of their ability to produce nearly invisible welds.[3] The project began with PSI attempting to recreate the design in miniature. A high-density polyurethane foam model was selected by Kapoor, which was then used to design the final structure, including the interior structural components.[24] Initially, PSI planned to build and assemble the sculpture in Oakland, California, and ship it to Chicago through the Panama Canal and St. Lawrence Seaway. However, this plan was discarded after park officials deemed it too risky, so the decision was made to transport the individual panels by truck and to assemble the structure on-site, a task undertaken by MTH Industries.[3][24][25] The sculpture's weight raised concerns. Estimating the thickness of the steel needed to create the sculpture's desired aesthetics before fabrication was difficult.[26] Cloud Gate was originally estimated to weigh 60 short tons (54 t; 54 long tons) when completed.[27] However, the final figure was almost twice as heavy at 110 short tons (100 t; 98 long tons). This extra weight required engineers to reconsider the sculpture's supporting structures. The roof of the Park Grill, upon which Cloud Gate sits, had to be built strong enough to bear the weight. The large retaining wall separating Chicago's Metra train tracks from the North Grant Park garage supports much of the weight of the sculpture and forms the back side of the restaurant. This wall, along with the rest of the garage's foundation, required additional bracing before the piece was erected.[26] Cloud Gate is further buttressed by lateral members underneath the plaza that are anchored to the sculpture's interior structure by tie rods.[24] Inside Cloud Gate's polished exterior shell are several steel structures that keep the sculpture standing. The first structural pieces, two type 304 stainless steel rings, were put into place in February 2004. As construction continued, crisscrossing pipe trusses were assembled between the two rings.[28] The trusses and supporting structures were only present for the construction phases. The finished sculpture has no inner bracing.[29] The supporting structural components were designed and constructed to ensure that no specific point was overloaded, and to avoid producing unwanted indentations on the exterior shell. The frame was also designed to expand and contract with the sculpture as temperatures fluctuate. As a result, the two large rings supporting the sculpture move independently of each other, allowing the shell to move independently of the rings.[24] When Cloud Gate's interior components were completed, construction crews prepared to work on the outer shell; this comprises 168 stainless steel panels, each 3⁄8 inch (10 mm) thick and weighing 1,000 to 2,000 pounds (450 to 910 kg).[30] They were fabricated using three-dimensional modeling software.[24] Computers and robots were essential in the bending and shaping of the plates,[25] which was performed by English wheel and a robotic scanning device.[31] Metal stiffeners were welded to each panel's interior face to provide a small degree of rigidity. About a third of the plates, along with the entire interior structure, were fabricated in Oakland.[24] The plates were polished to 98 percent of their final state and covered with protective white film before being sent to Chicago via trucks.[32] Once in Chicago, the plates were welded together on-site, creating 2,442 linear feet (744 m) of welded seams.[30] Welders used keyhole welding machines rather than traditional welding guns.[6] The plates were fabricated so precisely that no on-site cutting or filing was necessary when lifting and fitting them into position.[30] When construction of the shell began in June 2004, a large tent was erected around the piece to shield it from public view.[33] Construction began with the omphalos, where plates were attached to the supporting internal steel structure, from the inside (underside) of the sculpture downward to the outermost surfaces.[32] This sequence caused the structure to resemble a large sombrero when the bottom was complete.[34] The shell of Cloud Gate was fully erected for the grand opening of Millennium Park on July 15, 2004, although it was unpolished and thus unfinished, because its assembly had fallen behind schedule. The piece was temporarily uncovered on July 8 for the opening, although Kapoor was unhappy with this as it allowed the public to see the sculpture in an unfinished state.[35] The original plan was to re-erect the tent around the sculpture for polishing on July 24, but public appreciation for the piece convinced park officials to leave it uncovered for several months. The tent was again erected in January 2005 as a 24-person crew from Ironworkers Local 63 polished the seams between each plate.[30][36] In order to grind, sand and polish the seams, six levels of scaffolding were erected around the sides of the sculpture, while climbing ropes and harnesses were used to polish harder-to-reach areas.[30] When the upper and side portions of the shell were completed, the tent was once again removed in August 2005. On October 3, the omphalos was closed off as workers polished the final section.[37] Every weld on the Cloud Gate underwent a five-stage process, required to produce the sculpture's mirror-like finish.[30] StageNameEquipment usedSandpaper typePurpose 1Rough cut5-pound (2.3 kg), 4½-inch (110 mm) electric grinder40-gritRemoved welded seams 2Initial contour15-pound (6.8 kg), 2-inch (51 mm), air-driven belt sander80-grit, 100-grit and 120-gritShaped the weld contours 3Sculptingair-driven 10-pound (4.5 kg), 1-inch (25 mm) belt sander80-grit, 120-grit, 240-grit and 400-gritSmoothed the weld contours 4Refiningdouble action sander400-grit, 600-grit and 800-gritRemoved the fine scratches that were left from the sculpting stage 5Polishing10-inch (250 mm) electric buffing wheel10 pounds (4.5 kg) of rougeBuffed and polished the surface to a mirror-like finish Cloud Gate was finally completed on August 28, 2005, and officially unveiled on May 15, 2006.[38][39] The cost for the piece was first estimated at $6 million; this had escalated to $11.5 million by the time the park opened in 2004,[40] with the final figure standing at $23 million in 2006.[4] No public funds were involved; all funding came from donations from individuals and corporations.[4] Kapoor's contract states that the constructed piece should be expected to survive for 1,000 years.[41] The lower 6 feet (1.8 m) of Cloud Gate is wiped down twice a day by hand, while the entire sculpture is cleaned twice a year with 40 U.S. gallons (33 imp gal; 150 L) of liquid detergent. The daily cleanings use a Windex-like solution, while the semi-annual cleanings use Tide.[42] A notable February 2009 rare incident saw two names etched in letters about 1 inch (25 mm) tall on the northeast side of the curved sculpture. The graffiti was removed by the same firm that did the original polishing.[43] Reception A large white tent sits on the roof of a cafe building set in front of a skyscraper and blue sky. A tent was erected to cover Cloud Gate while it was being polished in 2004 and 2005. Chicago Mayor Richard M. Daley declared the day of the sculpture's dedication, May 15, 2006, to be "Cloud Gate Day". Kapoor attended the celebration, while local jazz trumpeter and bandleader Orbert Davis and the Chicago Jazz Philharmonic played "Fanfare for Cloud Gate", which Davis composed.[44] The public took an instant liking to the sculpture, affectionately referring to it as "The Bean".[45] Cloud Gate has become a popular piece of public art[8][46] and is now a fixture on many souvenirs such as postcards, sweatshirts, and posters.[47] The sculpture has attracted a large number of locals, tourists, and art aficionados from around the world.[48] The sculpture is now the piece by which Kapoor is most identified in the United States.[49] Time describes the piece as an essential photo opportunity, and more of a destination than a work of art.[8] The New York Times writes that it is both a "tourist magnet" and an "extraordinary art object",[48][50] while USA Today refers to the sculpture as a monumental abstract work.[51] Chicago art critic Edward Lifson considers Cloud Gate to be among the greatest pieces of public art in the world.[44] The American Welding Society recognized Cloud Gate, MTH Industries and PSI with the group's Extraordinary Welding Award.[52] Time named Millennium Park one of the ten best architectural achievements of 2004, citing Cloud Gate as one of the park's major attractions.[53] What I wanted to do in Millennium Park is make something that would engage the Chicago skyline ... so that one will see the clouds kind of floating in, with those very tall buildings reflected in the work. And then, since it is in the form of a gate, the participant, the viewer, will be able to enter into this very deep chamber that does, in a way, the same thing to one's reflection as the exterior of the piece is doing to the reflection of the city around. —Anish Kapoor[20] When the park first opened in 2004, Metra police stopped a Columbia College Chicago journalism student who was working on a photography project in Millennium Park and confiscated his film because of fears of terrorism.[54] In 2005, the sculpture attracted some controversy when a professional photographer without a paid permit was denied access to the piece.[55] As is the case for all works of art currently covered by United States copyright law, the artist holds the copyright for the sculpture. This allows the public to freely photograph Cloud Gate, but permission from Kapoor or the City of Chicago (which has licensed the art) is required for any commercial reproductions of the photographs. The city first set a policy of collecting permit fees for photographs. These permits were initially set at $350 per day for professional still photographers, $1,200 per day for professional videographers and $50 per hour for wedding photographers. The policy has been changed so permits are only required for large-scale film, video and photography requiring ten-person crews and equipment.[56] In addition to restricting photography of public art, closing a public park for a private event has also been controversial. In 2005 and 2006, almost all of Millennium Park was closed for a day for corporate events. On both occasions, as one of the park's primary attractions, Cloud Gate was the focus of controversy. On September 8, 2005, Toyota Motor Sales USA paid $800,000 to rent most venues in the park including Cloud Gate on AT&T Plaza from 6 a.m. to 11 p.m.[57][58] On August 7, 2006, Allstate paid $700,000 to rent the park. For this price, Allstate acquired the visitation rights to a different set of features and only had exclusive access to Cloud Gate after 4 p.m.[59] These corporate closures denied tourists access to Kapoor's public sculpture, and commuters who walk through the park were forced to take alternative routes. City officials stated that the money would help finance free public programs in Millennium Park.[57] In 2015, a sculpture similar to Cloud Gate was reported in Karamay, China at the site of an oil discovery, which according to Eduardo Peñalver, the Dean of Cornell Law School, "very probably" is a copyright infringement against Cloud Gate.[60] Though designed to resemble an oil bubble, Kapoor hoped that legal action would be taken against what he termed a Chinese knockoff.[61] Mayor Rahm Emanuel was less concerned and said that it was a flattering imitation.[62] Kapoor's Cloud Column in Houston as well as Thomas Heatherwick's Vessel in Hudson Yards, New York City have been negatively contrasted to Cloud Gate. Artistic themes Relevant Kapoor themes I hope what I have done is make a serious work, which deals with serious questions about form, public space and an object in space. You can capture the popular imagination and hold other points of interest, but that is not what I set out to do, although there is inevitably a certain spectacular in an object like this. —Anish Kapoor[41] Anish Kapoor has a reputation for creating spectacles in urban settings by producing works of extreme size and scale.[21] Before creating Cloud Gate, Kapoor had created art that distorted images of the viewer instead of portraying images of its own. In so doing, he acquired experience blurring the boundary between the limit and the limitless.[63] Kapoor drew on past experience to design Cloud Gate, in particular the designing of Sky Mirror (2001), a 20-foot (6.1 m) 10-short-ton (9 t; 9-long-ton) concave stainless steel mirror that also used a theme of distorted perception on a grand scale.[63] Kapoor's objects often aim to evoke immateriality and the spiritual, an outcome he achieves either by carving dark voids into stone pieces, or more recently, through the sheer shine and reflectivity of his objects.[45] This Indian artist's works have no fixed identity, but rather occupy an illusionary space that is consistent with eastern theologies shared by Buddhism, Hinduism and Taoism, as well as Albert Einstein's views of a non-three-dimensional world.[18] Kapoor explores the theme of ambiguity with his works that place the viewer in a state of "in-betweenness".[64] The artist often questions and plays with such dualities as solidity–emptiness or reality–reflection, which in turn allude to such paired opposites as flesh–spirit, the here–the beyond, east–west, sky–earth, etc. that create the conflict between internal and external, superficial and subterranean, and conscious and unconscious.[65] Kapoor also creates a tension between masculine and feminine within his art by having concave points of focus that invite the entry of visitors and multiplies their images when they are positioned correctly.[65][66] Cloud Gate themes Kapoor often speaks of removing both the signature of the artist from his works as well as any traces of their fabrication, or what he refers to as "traces of the hand".[18][45] He aspires to make his works look like they have independent realities that he reveals rather than creates.[18] For him, removing all the seams from Cloud Gate was necessary in order to make the sculpture seem as though it was "perfect" and ready-made. These effects increase the viewer's fascination with it and makes them wonder what it is and where it came from.[46] His attempts to hide his works' seams as an artist stand in contrast to Frank Gehry's architectural designs in the park, Jay Pritzker Pavilion and BP Pedestrian Bridge, which display their seams prominently.[16] Cloud Gate is described as a transformative, iconic work.[67] It is similar to many of Kapoor's previous works in the themes and issues it addresses. While the sculpture's mirror effects are reminiscent of fun-house fairground mirrors, they also have a more serious intent; they help dematerialize this very large object, making it seem light and almost weightless.[8][68] Cloud Gate is considered Kapoor's most ambitious use of complex mirrored form dynamics.[69] Kapoor challenges his viewers to internalize his work through intellectual and theoretical exercise. By reflecting the sky, visiting and non-visiting pedestrians and surrounding architecture, Cloud Gate limits its viewers to partial comprehension at any time. The interaction with the viewer who moves to create his own vision gives it a spiritual dimension.[64] The sculpture is described as a disembodied, luminous form,[64] which is also how his earlier 1000 Names (1979–80) was described when it addressed the metaphysical and mystical.[65] The viewer physically enters the art when he walks underneath it into its "navel". The omphalos is a "warped dimension of fluid space". In this dimension, solid is transformed into fluid in a disorienting multiplicative manner that intensifies the experience. It is emblematic of Kapoor's work to deconstruct empirical space and venture into manifold possibilities of abstract space.[69] The experience is described as a displaced or virtual depth that is composed of multiplied surfaces.[70] According to project manager Lou Cerny of MTH Industries, "When the light is right, you can't see where the sculpture ends and the sky begins."[71] The sculpture challenges perception by distorting and deforming the surrounding architecture.[72] The skyscrapers along East Randolph Street to the northeast (Two Prudential Plaza, and Aon Center), north (One Prudential Plaza) and northwest (The Heritage, Crain Communications Building) are reflected on Cloud Gate's surface when viewed from either the east or the west. The sculpture also warps viewers' perception of time by changing the speed of movements such as the passing of clouds.[72] Although in the conventional sense Cloud Gate is not an opening that leads anywhere in the same way that monumental gates do, it frames a view and is celebratory in the way it creates a ceremonial place. The work is credited with achieving a new level or understanding described as a transubstantiation of material, reminiscent of that which the artist experienced during a 1979 trip to India. Kapoor's 1000 Names evolved immediately after this trip; twenty-five years later he created Cloud Gate, an object that emerged from material forms to become immaterial.[18] Kapoor often relies on tenets of Hinduism in his art and says that "The experience of opposites allows for the expression of wholeness."[18] Primal dualities that are one, such as the lingam and yoni, are important to Indian culture, and Cloud Gate represents both the male and female in one entity by symbolizing both the vagina and testicles.[18] Thus, it represents the tension between the masculine and the feminine. In popular culture The sculpture has been used as a backdrop in commercial films, notably in the 2006 Hollywood film The Break-Up, which had to reshoot several scenes because the sculpture was under cover for the initial filming.[73] It is also prominently featured in the ending scene of Source Code. Director Duncan Jones felt the structure was a metaphor for the movie's subject matter and aimed for it to be shown at the beginning and end of the movie.[74] The sculpture served as an aesthetic and symbolic setting for the 2012 film The Vow when the lead characters share a kiss under it.[75][76] It also appears in the video to "Homecoming", a song by Chicago native Kanye West, featuring Chris Martin of the band Coldplay.[77] The sculpture is also featured in the 2008 mumblecore film Nights and Weekends. It was also featured in the Bollywood film Dhoom 3[78] and the 2014 movie Transformers: Age of Extinction, the fourth installment in the Transformers series.[79] A modified reproduction of Cloud Gate is also included in Watch Dogs, a video game released in 2014 that takes place in Chicago.[80] Unlike the real sculpture, the in-game replica is a curved, white torus.[81] A movement to Windex the Bean was started in 2017, gaining the attention of over thirty thousand people on Facebook. The event took place on November 15, 2017, because of a consensus that the Bean is dirty and needs to be cleaned.[82] Lawsuit against National Rifle Association A June 2017 NRA video entitled The Clenched Fist of Truth used an image of Cloud Gate. Anish Kapoor sued the NRA to stop running the video, pay any profits gained as a result of the video, compensate him for statutory damages equivalent to $150,000 per infringement, and attorney fees.[83] The suit was settled in December 2018 with the removal of the image from the NRA video, with no cash payment made to Kapoor, according to the NRA. Chicago (/ʃɪˈkɑːɡoʊ/ (About this soundlisten) shih-KAH-goh, locally also /ʃɪˈkɔːɡoʊ/ shih-KAW-goh;[6]), officially the City of Chicago, is the most populous city in the U.S. state of Illinois, and the third most populous city in the United States, following New York City and Los Angeles. With a population of 2,746,388 in the 2020 census,[4] it is also the most populous city in the Midwestern United States and the fifth most populous city in North America. Chicago is the county seat of Cook County, the second most populous county in the U.S., while a small portion of the city's O'Hare Airport also extends into DuPage County. Chicago is the principal city of the Chicago metropolitan area, defined as either the U.S. Census Bureau's metropolitan statistical area (9.6 million people) or the combined statistical area (almost 10 million residents), often called Chicagoland. It is one of the 40 largest urban areas in the world. Located on the shores of freshwater Lake Michigan, Chicago was incorporated as a city in 1837 near a portage between the Great Lakes and the Mississippi River watershed and grew rapidly in the mid-19th century.[7] After the Great Chicago Fire of 1871, which destroyed several square miles and left more than 100,000 homeless, the city rebuilt.[8] The construction boom accelerated population growth throughout the following decades, and by 1900, less than 30 years after the great fire, Chicago was the fifth-largest city in the world.[9] Chicago made noted contributions to urban planning and zoning standards, including new construction styles (including the Chicago School of architecture), the development of the City Beautiful Movement, and the steel-framed skyscraper.[10][11] Chicago is an international hub for finance, culture, commerce, industry, education, technology, telecommunications, and transportation. It is the site of the creation of the first standardized futures contracts, issued by the Chicago Board of Trade, which today is part of the largest and most diverse derivatives market in the world, generating 20% of all volume in commodities and financial futures alone.[12] O'Hare International Airport is routinely ranked among the world's top six busiest airports according to tracked data by the Airports Council International.[13] The region also has the largest number of federal highways and is the nation's railroad hub.[14] The Chicago area has one of the highest gross domestic products (GDP) in the world, generating $689 billion in 2018.[15] The economy of Chicago is diverse, with no single industry employing more than 14% of the workforce.[16] It is home to several Fortune 500 companies, including Allstate, Boeing, Caterpillar, Exelon, JLL, Kraft Heinz, McDonald's, Mondelez International, Sears, United Airlines Holdings, US Foods, and Walgreens. Chicago's 58 million tourist visitors in 2018 set a new record,[17][18] and Chicago has been voted the best large city in the U.S. for four years in a row by Condé Nast Traveler.[19] The city was ranked first in the 2018 Time Out City Life Index, a global urban quality of life survey of 15,000 people in 32 cities,[20][21][22][23][24] and was rated second most beautiful city in the world (after Prague) in 2021.[25] Landmarks in the city include Millennium Park, Navy Pier, the Magnificent Mile, the Art Institute of Chicago, Museum Campus, the Willis (Sears) Tower, Grant Park, the Museum of Science and Industry, and Lincoln Park Zoo. Chicago is also home to the Barack Obama Presidential Center being built in Hyde Park on the city's South Side.[26][27] Chicago's culture includes the visual arts, literature, film, theatre, comedy (especially improvisational comedy), food, and music, particularly jazz, blues, soul, hip-hop, gospel,[28] and electronic dance music including house music. Of the area's many colleges and universities, the University of Chicago, Northwestern University, and the University of Illinois at Chicago are classified as "highest research" doctoral universities. Chicago has professional sports teams in each of the major professional leagues, including two Major League Baseball teams. The name Chicago is derived from a French rendering of the indigenous Miami-Illinois word shikaakwa for a wild relative of the onion; it is known to botanists as Allium tricoccum and known more commonly as "ramps." The first known reference to the site of the current city of Chicago as "Checagou" was by Robert de LaSalle around 1679 in a memoir.[29] Henri Joutel, in his journal of 1688, noted that the eponymous wild "garlic" grew abundantly in the area.[30] According to his diary of late September 1687: ... when we arrived at the said place called "Chicagou" which, according to what we were able to learn of it, has taken this name because of the quantity of garlic which grows in the forests in this region.[30] The city has had several nicknames throughout its history, such as the Windy City, Chi-Town, Second City, and City of the Big Shoulders.[31] History Further information: History of Chicago, Origin of Chicago's "Windy City" nickname, and Illinois Country See also: Timeline of Chicago history Beginnings Traditional Potawatomi regalia on display at the Field Museum of Natural History In the mid-18th century, the area was inhabited by the Potawatomi, a Native American tribe who had succeeded the Miami and Sauk and Fox peoples in this region.[32] The first known non-indigenous permanent settler in Chicago was trader Jean Baptiste Point du Sable. Du Sable was of African descent, perhaps born in the French colony of Saint-Domingue (Haiti), and established the settlement in the 1780s. He is commonly known as the "Founder of Chicago".[33][34][35] In 1795, following the victory of the new United States in the Northwest Indian War, an area that was to be part of Chicago was turned over to the US for a military post by native tribes in accordance with the Treaty of Greenville. In 1803, the United States Army built Fort Dearborn. This was destroyed in 1812 in the Battle of Fort Dearborn by the British and their native allies. It was later rebuilt.[36] After the War of 1812, the Ottawa, Ojibwe, and Potawatomi tribes ceded additional land to the United States in the 1816 Treaty of St. Louis. The Potawatomi were forcibly removed from their land after the Treaty of Chicago in 1833 and sent west of the Mississippi River during Indian Removal.[37][38][39] 19th century The location and course of the Illinois and Michigan Canal (completed 1848) File:Corner Madison and State streets, Chicago -.webm State and Madison Streets, once known as the busiest intersection in the world (1897) On August 12, 1833, the Town of Chicago was organized with a population of about 200.[39] Within seven years it grew to more than 6,000 people. On June 15, 1835, the first public land sales began with Edmund Dick Taylor as Receiver of Public Monies. The City of Chicago was incorporated on Saturday, March 4, 1837,[40] and for several decades was the world's fastest-growing city.[41] As the site of the Chicago Portage,[42] the city became an important transportation hub between the eastern and western United States. Chicago's first railway, Galena and Chicago Union Railroad, and the Illinois and Michigan Canal opened in 1848. The canal allowed steamboats and sailing ships on the Great Lakes to connect to the Mississippi River.[43][44][45][46] A flourishing economy brought residents from rural communities and immigrants from abroad. Manufacturing and retail and finance sectors became dominant, influencing the American economy.[47] The Chicago Board of Trade (established 1848) listed the first-ever standardized "exchange-traded" forward contracts, which were called futures contracts.[48] An artist's rendering of the Great Chicago Fire of 1871 In the 1850s, Chicago gained national political prominence as the home of Senator Stephen Douglas, the champion of the Kansas–Nebraska Act and the "popular sovereignty" approach to the issue of the spread of slavery.[49] These issues also helped propel another Illinoisan, Abraham Lincoln, to the national stage. Lincoln was nominated in Chicago for US president at the 1860 Republican National Convention, which was held in Chicago in a temporary building called the Wigwam. He defeated Douglas in the general election, and this set the stage for the American Civil War. To accommodate rapid population growth and demand for better sanitation, the city improved its infrastructure. In February 1856, Chicago's Common Council approved Chesbrough's plan to build the United States' first comprehensive sewerage system.[50] The project raised much of central Chicago to a new grade with the use of hydraulic jackscrews for raising buildings.[51] While elevating Chicago, and at first improving the city's health, the untreated sewage and industrial waste now flowed into the Chicago River, and subsequently into Lake Michigan, polluting the city's primary freshwater source. The city responded by tunneling two miles (3.2 km) out into Lake Michigan to newly built water cribs. In 1900, the problem of sewage contamination was largely resolved when the city completed a major engineering feat. It reversed the flow of the Chicago River so that the water flowed away from Lake Michigan rather than into it. This project began with the construction and improvement of the Illinois and Michigan Canal, and was completed with the Chicago Sanitary and Ship Canal that connects to the Illinois River, which flows into the Mississippi River.[52][53][54] In 1871, the Great Chicago Fire destroyed an area about 4 miles (6.4 km) long and 1-mile (1.6 km) wide, a large section of the city at the time.[55][56][57] Much of the city, including railroads and stockyards, survived intact,[58] and from the ruins of the previous wooden structures arose more modern constructions of steel and stone. These set a precedent for worldwide construction.[59][60] During its rebuilding period, Chicago constructed the world's first skyscraper in 1885, using steel-skeleton construction.[61][62] The city grew significantly in size and population by incorporating many neighboring townships between 1851 and 1920, with the largest annexation happening in 1889, with five townships joining the city, including the Hyde Park Township, which now comprises most of the South Side of Chicago and the far southeast of Chicago, and the Jefferson Township, which now makes up most of Chicago's Northwest Side.[63] The desire to join the city was driven by municipal services that the city could provide its residents. Court of Honor at the World's Columbian Exposition in 1893 Chicago's flourishing economy attracted huge numbers of new immigrants from Europe and migrants from the Eastern United States. Of the total population in 1900, more than 77% were either foreign-born or born in the United States of foreign parentage. Germans, Irish, Poles, Swedes and Czechs made up nearly two-thirds of the foreign-born population (by 1900, whites were 98.1% of the city's population).[64][65] Labor conflicts followed the industrial boom and the rapid expansion of the labor pool, including the Haymarket affair on May 4, 1886, and in 1894 the Pullman Strike. Anarchist and socialist groups played prominent roles in creating very large and highly organized labor actions. Concern for social problems among Chicago's immigrant poor led Jane Addams and Ellen Gates Starr to found Hull House in 1889.[66] Programs that were developed there became a model for the new field of social work.[67] During the 1870s and 1880s, Chicago attained national stature as the leader in the movement to improve public health. City, and later, state laws that upgraded standards for the medical profession and fought urban epidemics of cholera, smallpox, and yellow fever were both passed and enforced. These laws became templates for public health reform in other cities and states.[68] The city established many large, well-landscaped municipal parks, which also included public sanitation facilities. The chief advocate for improving public health in Chicago was Dr. John H. Rauch, M.D. Rauch established a plan for Chicago's park system in 1866. He created Lincoln Park by closing a cemetery filled with shallow graves, and in 1867, in response to an outbreak of cholera he helped establish a new Chicago Board of Health. Ten years later, he became the secretary and then the president of the first Illinois State Board of Health, which carried out most of its activities in Chicago.[69] In the 1800s, Chicago became the nation's railroad hub, and by 1910 over 20 railroads operated passenger service out of six different downtown terminals.[70][71] In 1883, Chicago's railway managers needed a general time convention, so they developed the standardized system of North American time zones.[72] This system for telling time spread throughout the continent. In 1893, Chicago hosted the World's Columbian Exposition on former marshland at the present location of Jackson Park. The Exposition drew 27.5 million visitors, and is considered the most influential world's fair in history.[73][74] The University of Chicago, formerly at another location, moved to the same South Side location in 1892. The term "midway" for a fair or carnival referred originally to the Midway Plaisance, a strip of park land that still runs through the University of Chicago campus and connects the Washington and Jackson Parks.[75][76] 20th and 21st centuries Men outside a soup kitchen during the Great Depression (1931) 1900 to 1939 File:Chicago Photographed from Ray Knabenshue's Dirigible Air Ship.webm Aerial motion film photography of Chicago in 1914 as filmed by A. Roy Knabenshue During World War I and the 1920s there was a major expansion in industry. The availability of jobs attracted African Americans from the Southern United States. Between 1910 and 1930, the African American population of Chicago increased dramatically, from 44,103 to 233,903.[77] This Great Migration had an immense cultural impact, called the Chicago Black Renaissance, part of the New Negro Movement, in art, literature, and music.[78] Continuing racial tensions and violence, such as the Chicago Race Riot of 1919, also occurred.[79] The ratification of the 18th amendment to the Constitution in 1919 made the production and sale (including exportation) of alcoholic beverages illegal in the United States. This ushered in the beginning of what is known as the Gangster Era, a time that roughly spans from 1919 until 1933 when Prohibition was repealed. The 1920s saw gangsters, including Al Capone, Dion O'Banion, Bugs Moran and Tony Accardo battle law enforcement and each other on the streets of Chicago during the Prohibition era.[80] Chicago was the location of the infamous St. Valentine's Day Massacre in 1929, when Al Capone sent men to gun down members of a rival gang, North Side, led by Bugs Moran.[81] Chicago was the first American city to have a homosexual-rights organization. The organization, formed in 1924, was called the Society for Human Rights. It produced the first American publication for homosexuals, Friendship and Freedom. Police and political pressure caused the organization to disband.[82] The Great Depression brought unprecedented suffering to Chicago, in no small part due to the city's heavy reliance on heavy industry. Notably, industrial areas on the south side and neighborhoods lining both branches of the Chicago River were devastated; by 1933 over 50% of industrial jobs in the city had been lost, and unemployment rates amongst blacks and Mexicans in the city were over 40%. The Republican political machine in Chicago was utterly destroyed by the economic crisis, and every mayor since 1931 has been a Democrat. From 1928 to 1933, the city witnessed a tax revolt, and the city was unable to meet payroll or provide relief efforts. The fiscal crisis was resolved by 1933, and at the same time, federal relief funding began to flow into Chicago.[83] Chicago was also a hotbed of labor activism, with Unemployed Councils contributing heavily in the early depression to create solidarity for the poor and demand relief, these organizations were created by socialist and communist groups. By 1935 the Workers Alliance of America begun organizing the poor, workers, the unemployed. In the spring of 1937 Republic Steel Works witnessed the Memorial Day massacre of 1937 in the neighborhood of East Side. In 1933, Chicago Mayor Anton Cermak was fatally wounded in Miami, Florida, during a failed assassination attempt on President-elect Franklin D. Roosevelt. In 1933 and 1934, the city celebrated its centennial by hosting the Century of Progress International Exposition World's Fair.[84] The theme of the fair was technological innovation over the century since Chicago's founding.[85] 1940 to 1979 Boy from Chicago, 1941 During World War II, the city of Chicago alone produced more steel than the United Kingdom every year from 1939 – 1945, and more than Nazi Germany from 1943 – 1945. The Great Migration, which had been on pause due to the Depression, resumed at an even faster pace in the second wave, as hundreds of thousands of blacks from the South arrived in the city to work in the steel mills, railroads, and shipping yards.[86] On December 2, 1942, physicist Enrico Fermi conducted the world's first controlled nuclear reaction at the University of Chicago as part of the top-secret Manhattan Project. This led to the creation of the atomic bomb by the United States, which it used in World War II in 1945.[87] Mayor Richard J. Daley, a Democrat, was elected in 1955, in the era of machine politics. In 1956, the city conducted its last major expansion when it annexed the land under O'Hare airport, including a small portion of DuPage County. By the 1960s, white residents in several neighborhoods left the city for the suburban areas – in many American cities, a process known as white flight – as Blacks continued to move beyond the Black Belt. Protesters in Grant Park outside the 1968 Democratic National Convention While home loan discriminatory redlining against blacks continued, the real estate industry practiced what became known as blockbusting, completely changing the racial composition of whole neighborhoods.[88] Structural changes in industry, such as globalization and job outsourcing, caused heavy job losses for lower-skilled workers. At its peak during the 1960s, some 250,000 workers were employed in the steel industry in Chicago, but the steel crisis of the 1970s and 1980s reduced this number to just 28,000 in 2015. In 1966, Martin Luther King Jr. and Albert Raby led the Chicago Freedom Movement, which culminated in agreements between Mayor Richard J. Daley and the movement leaders.[89] Two years later, the city hosted the tumultuous 1968 Democratic National Convention, which featured physical confrontations both inside and outside the convention hall, with anti-war protesters, journalists and bystanders being beaten by police.[90] Major construction projects, including the Sears Tower (now known as the Willis Tower, which in 1974 became the world's tallest building), University of Illinois at Chicago, McCormick Place, and O'Hare International Airport, were undertaken during Richard J. Daley's tenure.[91] In 1979, Jane Byrne, the city's first female mayor, was elected. She was notable for temporarily moving into the crime-ridden Cabrini-Green housing project and for leading Chicago's school system out of a financial crisis.[92] 1980 to present In 1983, Harold Washington became the first black mayor of Chicago. Washington's first term in office directed attention to poor and previously neglected minority neighborhoods. He was re‑elected in 1987 but died of a heart attack soon after.[93] Washington was succeeded by 6th ward Alderman Eugene Sawyer, who was elected by the Chicago City Council and served until a special election. Richard M. Daley, son of Richard J. Daley, was elected in 1989. His accomplishments included improvements to parks and creating incentives for sustainable development, as well as closing Meigs Field in the middle of the night and destroying the runways. After successfully running for re-election five times, and becoming Chicago's longest-serving mayor, Richard M. Daley declined to run for a seventh term.[94][95] In 1992, a construction accident near the Kinzie Street Bridge produced a breach connecting the Chicago River to a tunnel below, which was part of an abandoned freight tunnel system extending throughout the downtown Loop district. The tunnels filled with 250 million US gallons (1,000,000 m3) of water, affecting buildings throughout the district and forcing a shutdown of electrical power.[96] The area was shut down for three days and some buildings did not reopen for weeks; losses were estimated at $1.95 billion.[96] On February 23, 2011, former Illinois Congressman and White House Chief of Staff Rahm Emanuel won the mayoral election.[97] Emanuel was sworn in as mayor on May 16, 2011, and won re-election in 2015.[98] Lori Lightfoot, the city's first African American woman mayor and its first openly LGBTQ Mayor, was elected to succeed Emanuel as mayor in 2019.[99] All three city-wide elective offices were held by women for the first time in Chicago history: in addition to Lightfoot, the City Clerk was Anna Valencia and City Treasurer, Melissa Conyears-Ervin.[100] Geography Main article: Geography of Chicago Chicago skyline at sunset, from North Avenue Beach looking south Topography Downtown and the North Side with beaches lining the waterfront Chicago is located in northeastern Illinois on the southwestern shores of freshwater Lake Michigan. It is the principal city in the Chicago metropolitan area, situated in both the Midwestern United States and the Great Lakes region. The city rests on a continental divide at the site of the Chicago Portage, connecting the Mississippi River and the Great Lakes watersheds. In addition to it lying beside Lake Michigan, two rivers—the Chicago River in downtown and the Calumet River in the industrial far South Side—flow either entirely or partially through the city.[101][102] Chicago's history and economy are closely tied to its proximity to Lake Michigan. While the Chicago River historically handled much of the region's waterborne cargo, today's huge lake freighters use the city's Lake Calumet Harbor on the South Side. The lake also provides another positive effect: moderating Chicago's climate, making waterfront neighborhoods slightly warmer in winter and cooler in summer.[103] A satellite image of Chicago When Chicago was founded in 1837, most of the early building was around the mouth of the Chicago River, as can be seen on a map of the city's original 58 blocks.[104] The overall grade of the city's central, built-up areas is relatively consistent with the natural flatness of its overall natural geography, generally exhibiting only slight differentiation otherwise. The average land elevation is 579 ft (176.5 m) above sea level. While measurements vary somewhat,[105] the lowest points are along the lake shore at 578 ft (176.2 m), while the highest point, at 672 ft (205 m), is the morainal ridge of Blue Island in the city's far south side.[106] While the Chicago Loop is the central business district, Chicago is also a city of neighborhoods. Lake Shore Drive runs adjacent to a large portion of Chicago's waterfront. Some of the parks along the waterfront include Lincoln Park, Grant Park, Burnham Park, and Jackson Park. There are 24 public beaches across 26 miles (42 km) of the waterfront.[107] Landfill extends into portions of the lake providing space for Navy Pier, Northerly Island, the Museum Campus, and large portions of the McCormick Place Convention Center. Most of the city's high-rise commercial and residential buildings are close to the waterfront. An informal name for the entire Chicago metropolitan area is "Chicagoland", which generally means the city and all its suburbs. The Chicago Tribune, which coined the term, includes the city of Chicago, the rest of Cook County, and eight nearby Illinois counties: Lake, McHenry, DuPage, Kane, Kendall, Grundy, Will and Kankakee, and three counties in Indiana: Lake, Porter and LaPorte.[108] The Illinois Department of Tourism defines Chicagoland as Cook County without the city of Chicago, and only Lake, DuPage, Kane, and Will counties.[109] The Chicagoland Chamber of Commerce defines it as all of Cook and DuPage, Kane, Lake, McHenry, and Will counties.[110] Communities See also: Community areas in Chicago and Neighborhoods in Chicago Community areas of the City of Chicago Major sections of the city include the central business district, called The Loop, and the North, South, and West Sides.[111] The three sides of the city are represented on the Flag of Chicago by three horizontal white stripes.[112] The North Side is the most-densely-populated residential section of the city, and many high-rises are located on this side of the city along the lakefront.[113] The South Side is the largest section of the city, encompassing roughly 60% of the city's land area. The South Side contains most of the facilities of the Port of Chicago.[114] In the late-1920s, sociologists at the University of Chicago subdivided the city into 77 distinct community areas, which can further be subdivided into over 200 informally defined neighborhoods.[115][116] Streetscape Main article: Roads and expressways in Chicago Chicago's streets were laid out in a street grid that grew from the city's original townsite plot, which was bounded by Lake Michigan on the east, North Avenue on the north, Wood Street on the west, and 22nd Street on the south.[117] Streets following the Public Land Survey System section lines later became arterial streets in outlying sections. As new additions to the city were platted, city ordinance required them to be laid out with eight streets to the mile in one direction and sixteen in the other direction (about one street per 200 meters in one direction and one street per 100 meters in the other direction). The grid's regularity provided an efficient means of developing new real estate property. A scattering of diagonal streets, many of them originally Native American trails, also cross the city (Elston, Milwaukee, Ogden, Lincoln, etc.). Many additional diagonal streets were recommended in the Plan of Chicago, but only the extension of Ogden Avenue was ever constructed.[118] In 2016, Chicago was ranked the sixth-most walkable large city in the United States.[119] Many of the city's residential streets have a wide patch of grass or trees between the street and the sidewalk itself. This helps to keep pedestrians on the sidewalk further away from the street traffic. Chicago's Western Avenue is the longest continuous urban street in the world.[120] Other notable streets include Michigan Avenue, State Street, Oak, Rush, Clark Street, and Belmont Avenue. The City Beautiful movement inspired Chicago's boulevards and parkways.[121] Architecture Further information: Architecture of Chicago, List of tallest buildings in Chicago, and List of Chicago Landmarks The Chicago Building (1904–05) is a prime example of the Chicago School, displaying both variations of the Chicago window. The destruction caused by the Great Chicago Fire led to the largest building boom in the history of the nation. In 1885, the first steel-framed high-rise building, the Home Insurance Building, rose in the city as Chicago ushered in the skyscraper era,[62] which would then be followed by many other cities around the world.[122] Today, Chicago's skyline is among the world's tallest and densest.[123] Some of the United States' tallest towers are located in Chicago; Willis Tower (formerly Sears Tower) is the second tallest building in the Western Hemisphere after One World Trade Center, and Trump International Hotel and Tower is the third tallest in the country.[124] The Loop's historic buildings include the Chicago Board of Trade Building, the Fine Arts Building, 35 East Wacker, and the Chicago Building, 860-880 Lake Shore Drive Apartments by Mies van der Rohe. Many other architects have left their impression on the Chicago skyline such as Daniel Burnham, Louis Sullivan, Charles B. Atwood, John Root, and Helmut Jahn.[125][126] The Merchandise Mart, once first on the list of largest buildings in the world, currently listed as 44th-largest (as of 9 September 2013), had its own zip code until 2008, and stands near the junction of the North and South branches of the Chicago River.[127] Presently, the four tallest buildings in the city are Willis Tower (formerly the Sears Tower, also a building with its own zip code), Trump International Hotel and Tower, the Aon Center (previously the Standard Oil Building), and the John Hancock Center. Industrial districts, such as some areas on the South Side, the areas along the Chicago Sanitary and Ship Canal, and the Northwest Indiana area are clustered.[128] Chicago gave its name to the Chicago School and was home to the Prairie School, two movements in architecture.[129] Multiple kinds and scales of houses, townhouses, condominiums, and apartment buildings can be found throughout Chicago. Large swaths of the city's residential areas away from the lake are characterized by brick bungalows built from the early 20th century through the end of World War II. Chicago is also a prominent center of the Polish Cathedral style of church architecture. The Chicago suburb of Oak Park was home to famous architect Frank Lloyd Wright, who had designed The Robie House located near the University of Chicago.[130][131] A popular tourist activity is to take an architecture boat tour along the Chicago River.[132] Monuments and public art Replica of Daniel Chester French's Statue of the Republic at the site of the World's Columbian Exposition. Chicago is famous for its outdoor public art with donors establishing funding for such art as far back as Benjamin Ferguson's 1905 trust.[133] A number of Chicago's public art works are by modern figurative artists. Among these are Chagall's Four Seasons; the Chicago Picasso; Miro's Chicago; Calder's Flamingo; Oldenburg's Batcolumn; Moore's Large Interior Form, 1953-54, Man Enters the Cosmos and Nuclear Energy; Dubuffet's Monument with Standing Beast, Abakanowicz's Agora; and, Anish Kapoor's Cloud Gate which has become an icon of the city. Some events which shaped the city's history have also been memorialized by art works, including the Great Northern Migration (Saar) and the centennial of statehood for Illinois. Finally, two fountains near the Loop also function as monumental works of art: Plensa's Crown Fountain as well as Burnham and Bennett's Buckingham Fountain. More representational and portrait statuary includes a number of works by Lorado Taft (Fountain of Time, The Crusader, Eternal Silence, and the Heald Square Monument completed by Crunelle), French's Statue of the Republic, Edward Kemys's Lions, Saint-Gaudens's Abraham Lincoln: The Man (a.k.a. Standing Lincoln) and Abraham Lincoln: The Head of State (a.k.a. Seated Lincoln), Brioschi's Christopher Columbus, Meštrović's The Bowman and The Spearman, Dallin's Signal of Peace, Fairbanks's The Chicago Lincoln, Boyle's The Alarm, Polasek's memorial to Masaryk, memorials along Solidarity Promenade to Kościuszko, Havliček and Copernicus by Chodzinski, Strachovský, and Thorvaldsen, a memorial to General Logan by Saint-Gaudens, and Kearney's Moose (W-02-03). A number of statues also honor recent local heroes such as Michael Jordan (by Amrany and Rotblatt-Amrany), Stan Mikita, and Bobby Hull outside of the United Center; Harry Caray (by Amrany and Cella) outside Wrigley field, Jack Brickhouse (by McKenna) next to the WGN studios, and Irv Kupcinet at the Wabash Avenue Bridge.[134] There are preliminary plans to erect a 1:1‑scale replica of Wacław Szymanowski's Art Nouveau statue of Frédéric Chopin found in Warsaw's Royal Baths along Chicago's lakefront in addition to a different sculpture commemorating the artist in Chopin Park for the 200th anniversary of Frédéric Chopin's birth.[135] The city lies within the typical hot-summer humid continental climate (Köppen: Dfa), and experiences four distinct seasons.[136][137][138] Summers are hot and humid, with frequent heat waves. The July daily average temperature is 75.9 °F (24.4 °C), with afternoon temperatures peaking at 85.0 °F (29.4 °C). In a normal summer, temperatures reach at least 90 °F (32 °C) on as many as 23 days, with lakefront locations staying cooler when winds blow off the lake. Winters are relatively cold and snowy, although the city typically sees less snow and rain in winter than that experienced in the eastern Great Lakes region; blizzards do occur, as in 2011.[139] There are many sunny but cold days in winter. The normal winter high from December through March is about 36 °F (2 °C), with January and February being the coldest months; a polar vortex in January 2019 nearly broke the city's cold record of −27 °F (−33 °C), which was set on January 20, 1985.[140][141][142] Spring and autumn are mild, short seasons, typically with low humidity. Dew point temperatures in the summer range from an average of 55.7 °F (13.2 °C) in June to 61.7 °F (16.5 °C) in July,[143] but can reach nearly 80 °F (27 °C), such as during the July 2019 heat wave. The city lies within USDA plant hardiness zone 6a, transitioning to 5b in the suburbs.[144] According to the National Weather Service, Chicago's highest official temperature reading of 105 °F (41 °C) was recorded on July 24, 1934,[145] although Midway Airport reached 109 °F (43 °C) one day prior and recorded a heat index of 125 °F (52 °C) during the 1995 heatwave.[146] The lowest official temperature of −27 °F (−33 °C) was recorded on January 20, 1985, at O'Hare Airport.[143][146] Most of the city's rainfall is brought by thunderstorms, averaging 38 a year. The region is also prone to severe thunderstorms during the spring and summer which can produce large hail, damaging winds, and occasionally tornadoes.[147] Like other major cities, Chicago experiences an urban heat island, making the city and its suburbs milder than surrounding rural areas, especially at night and in winter. The proximity to Lake Michigan tends to keep the Chicago lakefront somewhat cooler in summer and less brutally cold in winter than inland parts of the city and suburbs away from the lake.[148] Northeast winds from wintertime cyclones departing south of the region sometimes bring the city lake-effect snow.[149] During its first hundred years, Chicago was one of the fastest-growing cities in the world. When founded in 1833, fewer than 200 people had settled on what was then the American frontier. By the time of its first census, seven years later, the population had reached over 4,000. In the forty years from 1850 to 1890, the city's population grew from slightly under 30,000 to over 1 million. At the end of the 19th century, Chicago was the fifth-largest city in the world,[159] and the largest of the cities that did not exist at the dawn of the century. Within sixty years of the Great Chicago Fire of 1871, the population went from about 300,000 to over 3 million,[160] and reached its highest ever recorded population of 3.6 million for the 1950 census. From the last two decades of the 19th century, Chicago was the destination of waves of immigrants from Ireland, Southern, Central and Eastern Europe, including Italians, Jews, Poles, Greeks, Lithuanians, Bulgarians, Albanians, Romanians, Turkish, Croatians, Serbs, Bosnians, Montenegrins and Czechs.[161] To these ethnic groups, the basis of the city's industrial working class, were added an additional influx of African Americans from the American South—with Chicago's black population doubling between 1910 and 1920 and doubling again between 1920 and 1930.[161] In the 1920s and 1930s, the great majority of African Americans moving to Chicago settled in a so‑called "Black Belt" on the city's South Side.[161] A large number of blacks also settled on the West Side. By 1930, two-thirds of Chicago's black population lived in sections of the city which were 90% black in racial composition.[161] Chicago's South Side emerged as United States second-largest urban black concentration, following New York's Harlem. Today, Chicago's South Side and the adjoining south suburbs constitute the largest black majority region in the entire United States.[161] Chicago's population declined in the latter half of the 20th century, from over 3.6 million in 1950 down to under 2.7 million by 2010. By the time of the official census count in 1990, it was overtaken by Los Angeles as the United States' second largest city.[162] The city has seen a rise in population for the 2000 census and after a decrease in 2010, it rose again for the 2020 census.[163] Per U.S. Census estimates as of July 2019, Chicago's largest racial or ethnic group is non-Hispanic White at 32.8% of the population, Blacks at 30.1% and the Hispanic population at 29.0% of the population[164][165][166][167] Racial composition2010[168]1990[167]1970[167]1940[167] White44.9%45.4%65.6%91.7% —Non-Hispanic31.7%37.9%59.0%[169]91.2% Black or African American32.9%39.1%32.7%8.2% Hispanic or Latino (of any race)28.9%19.6%7.4%[169]0.5% Asian5.5%3.7%0.9%0.1% Map of racial distribution in Chicago, 2010 U.S. Census. Each dot is 25 people: White, Black, Asian, Hispanic or Other (yellow) As of the 2010 census,[170] there were 2,695,598 people with 1,045,560 households living in Chicago. More than half the population of the state of Illinois lives in the Chicago metropolitan area. Chicago is one of the United States' most densely populated major cities, and the largest city in the Great Lakes Megalopolis. The racial composition of the city was: 44.9% White (31.7% non-Hispanic whites); 32.9% Black or African American; 13.4% from some other race; 5.5% Asian (1.6% Chinese, 1.1% Indian, 1.1% Filipino, 0.4% Korean, 0.3% Pakistani, 0.3% Vietnamese, 0.2% Japanese, 0.1% Thai); 2.7% from two or more races; 0.5% American Indian. Chicago has a Hispanic or Latino population of 28.9%. (Its members may belong to any race; 21.4% Mexican, 3.8% Puerto Rican, 0.7% Guatemalan, 0.6% Ecuadorian, 0.3% Cuban, 0.3% Colombian, 0.2% Honduran, 0.2% Salvadoran, 0.2% Peruvian).[171] Chicago has the third-largest LGBT population in the United States. In 2018, the Chicago Department of Health, estimated 7.5% of the adult population, approximately 146,000 Chicagoans, were LGBTQ.[172] In 2015, roughly 4% of the population identified as LGBT.[173][174] Since the 2013 legalization of same-sex marriage in Illinois, over 10,000 same-sex couples have wed in C



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Southern Gospel Song Woman At The Well,
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Gospel Song Jesus Met The Woman At The Well,



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